SLegault’s Briefcase Is Out Of This World

27 06 2008

To destroy the asteroid, you must FIND the asteroid. A bad pun I had to create a posting for just to use it.

The company Syl’s working for, Dynacon, is putting a Micro-satellite into orbit with help from the CSA. Very cool. I’ve never worked for a company Slashdot-worthy.

I kind of pictured a “Micro-satellite” as something that looks like the Hubble Space Telescope but about the size of my thumbnail… like a scale model or something that got caught in a shrink ray.

Instead, ‘NEOSSat will be the size of a large suitcase‘. Com’on! This thing tracks killer asteroids! Get more imaginative! At least put some bumper stickers on it.

Either way, it’s pretty cool whenever something you’ve worked on gets applied to the real world space.

Edit July 2, 2008: Updated to correct nomenclature and past/future tense.



CityTV Losing City Image, and Canadian Content

26 06 2008

Following the dismissal of Peter Silverman and the final nail in the coffin of Speakers Corner, it’s been announced that Ed The Sock is also leaving the recently purchased station.

While it’s reasonable to think that Silverman can relax in a belated retirement his services have been invaluable to many “small guys” around the city, even helping out Simone’s parents at one point.

Speakers Corner has been absent for a year or two while the Queen and John corner has been undergoing renovations (although it turns out the episodes are still airing) The outright cancellation isn’t too shocking. However, they’ll soon move into the busiest pedestrian corner in this part of Canada. Why announce that they want to chop it?

Steve Kerzner (aka. Ed The Sock) is accepting it graciously, and I think in the ten years since I hosted the most popular site on the web dedicated to him (including his own, official site), I imagine he’s become tired of the role. What he could do with the character peaked years ago and has sort of lived on in spite of that.

An additional irony is the fact that Ed got his start on the Rogers community channel.

If they were replacing it with good material, then I could understand. Instead, Rogers is just positioning the cross-Canada CityTV stations with American syndicated shows that were rejected by Global and CTV. Pretty much the entire CityTV line-up is crappy Reality TV (not even “good” Reality TV).

My brother, John, hypothisized that the next thing that established CityTV as a unique broadcaster of niche content, Baby Blue movies, might be the next thing to go.

With my cable already cancelled, how could I further protest if such a horror were to come to pass?!?



Shut Up and Make With The Funnies

25 06 2008

Playing with the random entry link, I found this post I made a while ago. I’ve noticed that my last several posts have numbered between two and three billion words each (or so it feels if you’re reading them), and postitioned once every week or two. So I’m going to try to return to making more innane comments on stuff I see around me… more frequently and under 100 words or so.

Damn. I think I’m already closing in on 100… well, here’s my comment then:

Edward Norton is a good actor, but thoroughly unconvincing as a “smart guy“.



Summer Movies Preview - June 2008

10 06 2008

In the interest of full disclosure, I write the following previews and scathing sarcasm while also committing myself to 90 minutes of Alien vs. Predator: Requiem. This means you can either interpret my anticipated slagging of half-assed movie productions as hypocritical, or as coming from someone willing to spend time on this direct-to-DVD classic but not willing to give Zohan the time of day. I’ll let you decide.

The first weekend in June just finished with Jack Black beating Adam Sandler in equally cartoonish creations. The reviews and kid-friendly material no doubt helped the movie gain the lead. Opting for some family-to-be responsibilities I had to miss Kung Fu Panda on Saturday, but the critical acclaim seems to be favouring it. The premise looks a little simple, but the directors have done their homework. It has always seemed to me that the most enjoyable movies are made by movie geeks: Steven Spielberg, James Cameron, Peter Jackson, Sam Raimi and Guillermo Del Toro being some of my favourites.

The directors for Kung Fu Panda clearly define themselves in that class, by simply mentioning in an interview that the best experience making the movie was meeting Sammo Hung and Jackie Chan - and especially the seal of approval they received from Jackie seemed to be better than any $60 million opening weekend.

Sharing the same weekend, Don’t Mess With The Zohan is Adam Sandler’s latest in a series of high concept movies with a man-child with razor thin plot. The formula is so predictable that it even includes Rob Schneider and John Turturro. The former is predictable, and the only reason Rob Schneider even has hundreds of millions of dollars earned in Hollywood is because he’s inexplicably included in every Adam Sandler opus. John Turturro, on the other hand, seems to opt out of the indie movie scene for movies that pay the bills. Not that I wouldn’t do that myself given the opportunity, but his skills seem more and more wasted with every Adam Sandler movie.

Looking forward to the rest of the month, M. Night Shyamalan’s next film A Bunch Of Stuff That Happens was shorted to simply The Happening. I guess the earlier title didn’t really differentiate itself from M. Night’s other films. The rated R trailer looks to really distance itself from the tasteful filmgoers and target the Rob Zombie crowd. Famous for his downbeat, unassuming ending instead of the blowy-uppy ending that many audiences crave, the play to mainstream, gore loving audiences might force him to change his formula.

This might be the first M. Night movie I’d be interested in seeing pre-home release, but I’m not sure I could handle two hours of pure, unadulterated gore. Dawn of the Dead was a little too much to handle, and that wasn’t made by a master of psychological suspense. I’m pretty sure I’ll have to wait until I can watch this movie with a pause button.

The new Incredible Hulk movie follows the pattern of getting a brilliant director to make a summer blockbuster, and acting shocked when it developed characters ahead of big noise and predictable plot. Following Brian DePalma’s excellent action thriller Mission: Impossible, the producers opted for a more simple approach to filmmaking with M:I2, giving us a schlocky movie even by John Woo’s standards. I was worried when I found out that they were planning to do this with the Hulk series back in 2004. After three years of no significant development, I was hopeful that the idea had died.

However, as evidenced by the smashed cars and burning busses on Yonge St. last year, the production proceeded and we get Edward Norton replacing Eric Bana, Liv Tyler replacing Jennifer Connelly (a casting decision I fully support), and about every other character that might have been present in the first film, replaced with a doppelganger. The producers have been so thorough in promoting the rebuilding of this series that the average moviegoer is even more convinced that Ang Lee’s entry was trash. I might see this in theatres, but my expectations will match those of Mission: Impossible 2.

I remember looking forward to seeing Get Smart with Don Adams after school every day. Other shows like Gilligan’s Island and the 1960’s Batman were the series I worked through start to finish, several times over between my adolescent years and late teens. I’m a fan of Steve Carell, but don’t count myself in his superfan legion. However, I have to agree with their casting. His comedic style is a worthy successor to Don Adams (may he rest in peace).

Hopefully, it won’t resort to over the top toilet humour in order to capture the Austin Powers crowd. One asset is Dwayne Johnson (aka. WWE’s “The Rock”). More than once he’s played a parody of himself, but usually only on Monday Night RAW. Finally, Alan Arkin as The Chief is another piece of excellent casting. Even if the reviews are below average, I believe this is a movie I have to see. There are other actresses I would have as Agent 99, but otherwise the movie can carry itself no matter how good or bad the plot turns out to be.

The final weekend in June features another formulaic, forgettable movie paired against a kids movie. Angelina Jolie in a… well, there’s not really much more to say since that’s all that people will be interested in seeing. Wanted also features Morgan Freeman playing a two-dimensional character for the fun of it, and a wealth of gunfire, fast cars and digital effects. Almost certainly a good movie to go see after a few pitchers with the guys.

This is probably the most “Summer Movie” so far this year… not a sequel, adaptation from another media or attempt to cash in on a tired formula. Take a couple A-list actors, toss in action, beautiful cinematography, thin plot that can be completely explored in the two minute trailer, and release. It wins as the most original, unoriginal movie so far this year. Kinda makes me want to see it.

…but not more than Wall-E. This is the movie I’ve been waiting for almost as much as Chris Sanders’ next opus. While Pixar has continued to crank out quality films, they’ve never managed to match the escapism of the first few. Ending after Finding Nemo, and starting with The Incredibles, the Pixar films were good but not great. The difference was the writer, Andrew Stanton.

Wall-E follows a strange little robot, inhabiting Earth 700 years in the future after Humans had left it behind as a garbage planet. Side note - there’s a good variation on this set up in the Red Dwarf novels. Just from the trailers and various promos starring Wall-E I know I’m in love with the character. Following the end of the Lilo & Stitch series last year I wondered how long it would be until I found a new character to idolize. Perhaps that was part of my enthusiasm in adopting him for the role, but I really think it’s just about how CUTE he is!

Not a very balanced preview, but there’s little to deter me from seeing this movie opening weekend and loving it. Following this, there’s not another kids-friendly movie being released until halfway through August. Wall-E won’t have the top opening gross for the summer, but I predict it will be in the top 3 summer overall gross.

That’s about it. For reference, AvP:R is a decent movie to watch in a dark room when you’re doing other stuff. Beyond that, very predictable but far better action sequences than the first AvP movie. I’d certainly prefer to watch it again than Mess With Zohan.

Update: It turns out that Wanted is very, very, very loosely based on a comic/graphic novel. I stand corrected. I still believe this currently rates as the most “Summer Movie” in the classical sense of the term.



God Bless Double-Features: Indy and Iron Man

5 06 2008

Simone and I went to the Docks Drive-in last week. We got to see both Indiana Jones and Iron Man for $13 ea. The relatively low price and intimate setting was worth the lack of contrast in dark scenes (which is any scene in a cave… of which there were several… in both movies… )

Iron Man had probably the best special effects I’ve seen, but certainly not on purpose. The thunderstorm last night passed overhead just as Tony Stark was making the first Iron Man suit, and blowing stuff up. The biggest explosion at the end of the battle happened a split second after a lightning bolt struck just behind the screen. It couldn’t have been better if it were planned that way.

Other than that, Iron Man was a thoroughly average movie. There was nothing wrong with it, but only because it followed the template for making a comic book movie to the letter. What differentiated the movie from other comic book movies is the director, Jon Favereau, is a big fan of improvised dialogue, and Robert Downey Jr. is particularly talented when it comes to embracing a character and carrying it beyond the script.

Even still, I can’t see why this film got such critical acclaim. It’s good, but not great. It really doesn’t stand out from the crowd of comic book movies aside from the fact that it’s “not a bad movie”. Most films without anything beyond the standard template tend to suffer from the very constraints of the form and we get The Punisher or Daredevil (both of which have inexplicably spawned sequels).

Indiana Jones and the Kingdom of the Crystal Skull, on the other hand, was brilliant. Although they might have changed the title to “Henry Jones Jr. and the…”. He was called “Henry” just as much in the movie as he was called “Indy”. In any case, this is definitely a worthy successor to the series. There was a hiccup in pre-production over a script for the movie, but it has been worth the extra four-year wait to get the story/script just right. This is a phenomenal movie.

There’s a lot of suspension of disbelief required to enjoy the movie, even from the opening scenes. Anyone who doesn’t like the movie will have a lot of fodder to harp on; details like obvious stuntmen shots, likelihood that you’d survive a nuclear blast, etc. but it doesn’t take that much effort to force yourself into a place where you get carried along for the ride.

After reading the trivia page on IMDB, I’ve found that they’ve gone to great lengths to ensure that the filming style mimics the previous three, and the effort really shows. This isn’t the same Spielberg who made Minority Report and Munich. This is Jurassic-Park-and-earlier Spielberg. THIS is the moviemaking I miss in the summer.

Anyway, with no new release last weekend that I’m interested in seeing I’m now only two movies behind on my summer list, and I’m perfectly comfortable with the possibility of seeing neither Speed Racer nor Narnia until video release.